25/10/2026
A new look. Same artist. A whole lot of meaning behind the name. š¤
For those who are new here, and those whoāve been following my journey for a while, I thought it was time to properly reintroduce Inked By Iris and the story behind it. Because while the branding might be new, Iām certainly no stranger to this industry.
Growing up, I always had an eye for the finer details. Artistry, fashion, design, aesthetics -anything that allowed me to be creative and a little particular (some things never change). But alongside that creative side was an equally curious mind, one that eventually led me into science and completing my Bachelor of Animal & Veterinary Bioscience. Two seemingly different worlds that, somewhere along the way, found their perfect intersection in cosmetic tattooing.
And thatās where things got interesting.
Behind the scenes, thereās been countless hours of practice, training, certifications, advanced courses and ongoing upskilling. A whole lot of learning, unlearning, refining techniques and occasionally questioning absolutely everything I thought I knew. Because this industry doesnāt stand still, and neither should the people working in it.
Looking back at my earliest work compared to what I produce today, I can see just how much Iāve evolved as an artist. Not just in the precision of my workmanship, but in my understanding of skin, pigment behaviour, technique and the importance of making decisions that will still serve my clients years down the track.
And trust me, Iām still learning. I donāt think that should ever stop.
My vision for Inked By Iris has been shaped just as much by my personal experiences as my professional ones. Having been on the other side of the needle, experienced cosmetic tattooing firsthand, watched the industry evolve and navigated my own tattoo removal journey, Iāve developed a very different appreciation for what this service should represent. Not just beautiful results today, but thoughtful decisions for the years that follow.
Where can we improve? What can we approach differently? How can we better understand the skin, the pigments we use and the individuality of the person sitting in front of us? These are the