Divine Feminine Wisdom School

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Divine Feminine Wisdom School We are a sacred space dedicated to the spiritual development and empowerment of women.

Our teachings draw from ancient wisdom and contemporary practices to guide women on a transformative journey towards self-discovery, healing and empowerment.

10/23/2026
This is a very empowering 3 minute read! Read on to find out why!
10/23/2026

This is a very empowering 3 minute read! Read on to find out why!

He insulted her in Italian, right to her face. He had no idea she understood every word.

It was the mid-1970s in New York. A young actress had just finished drama school at Yale. She was gifted, serious, and almost completely unknown.

Her name was Meryl Streep.

One night, a young man named Federico De Laurentiis watched her on stage and was stunned. He was the son of Dino De Laurentiis, one of the most powerful film producers in the world. His father was looking for a leading lady for a giant new movie: King Kong.

Federico was sure he had found her.

So he brought Meryl to his father’s office in Manhattan.

Dino looked her up and down. Then he turned to his son and said in Italian, “Why do you bring me this ugly thing?”

He assumed she couldn’t understand.

But Meryl had studied Italian.

She didn’t cry. She didn’t argue. She calmly answered him in perfect Italian, telling him she was sorry she wasn’t pretty enough for his film.

Then she walked out.

Years later, she said that moment was deeply sobering for a young woman. But she made a decision that would shape her whole life: she would stop worrying about her looks and focus entirely on her work.

The role went to another newcomer, Jessica Lange.

Meryl kept going.

In 1977, she appeared in her first film, Julia.
In 1978, she won an Emmy for the miniseries Holocaust.
That same year, The Deer Hunter earned her first Oscar nomination.

Then came Kramer vs. Kramer. She played a mother who leaves her family, a role that could easily have made her the villain. Instead, she made audiences feel her pain.

On April 14, 1980, she won her first Oscar.

Two years later, she played a Polish Holocaust survivor in Sophie’s Choice. She learned to speak Polish and German for the role. Audiences left theaters in silence.

She won her second Oscar, this time for Best Actress.

And she never stopped.

The Devil Wears Prada. Julie & Julia. The Iron Lady, which brought her third Oscar in 2012. Into the Woods. The Post.

Today, Meryl Streep holds 21 Academy Award nominations. That is more than any actor in history. The next closest have 12.

The producer looked at her and saw an “ugly thing.”
His son looked at her and saw a star.

History proved which one was right.

Sometimes the people who doubt you aren’t seeing what’s there. They’re just looking in the wrong place.

💬 Has someone ever underestimated you? How did you prove them wrong?

Bam 🎤
06/06/2026

Bam 🎤

🙏

Divine Feminine Wisdom School co-founder Sara is happy to share that she is opening her new healing studio downtown wher...
04/26/2026

Divine Feminine Wisdom School co-founder Sara is happy to share that she is opening her new healing studio downtown where she will be offering Spiritual Development classes, meditation, Reiki sessions & certification and Intuitive Guidance/Spiritual Counselling.

Visit saramurphy.ca for more info.

04/18/2026

The Crone is the most misunderstood aspect of the feminine cycle. In the Maiden–Mother–Crone triad, she is the final phase often associated with age, endings, and death. But in myth and tradition, the Crone is not decline. She is completion.

Figures like The Cailleach in Celtic lore embody winter, storms, and the shaping of the land itself. She is ancient, powerful, and not bound by youth or beauty. Her role is to strip the world down to its core. What cannot survive her, was never meant to.

The Crone does not nurture like the Mother.
She does not seek like the Maiden. She sees. In many traditions, she is the keeper of thresholds the one who stands between life and death, illusion and truth, past and what comes after. This is why she is often linked to witches, seers, and those who live on the edges of society. She has nothing to prove.

Nothing to gain. Nothing to lose. And that is what makes her powerful. The fear of the Crone is not really about age. It is about what she represents.

A version of the self that no longer performs. No longer seeks approval. No longer hides behind softness or expectation.
She is the phase where identity is no longer shaped by the outside world. Only truth remains.

In myth, winter always comes. Not as punishment. But as a necessary end to what has run its course. And the Crone is the one who brings it. Not to destroy.

But to reveal what is strong enough to endure.

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307 Fourth Street West
Cornwall, ON
K6H7K7

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